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Sophie Lloyd says self-doubt led her to “almost quit guitar completely”
John Mayer on his Martin signature models “Guitars should continue to echo the design elements of the world around them”
“The industry has a lot less power than a lot of people think” Meet Maxwell Varey, indie’s new working class guitar hero
“We’re a very loud band. The energy from that contributes to the way we play” How Dusk blend punk and Americana to create a three-guitar barnburner
“We can scream and wail to show rage, and also create these beautiful harmonies that show solidarity and love”: HAWXX on the pure catharsis of metal
“If you’re in a band you should always be in your favorite band” Hotline TNT on bringing shoegaze to a new generation
“If you’re not stretching yourself, it tends to be safer – and who cares about being safer?” Marnie Stern’s new album welcomes back a modern guitar great
“We were creating new skin”: How Black Pumas redefined their musical relationship for a more collaborative second album
“If you let that fear stop you it will stop you in every way”: How Liz Phair made one of the 90s’ coolest indie albums that has stood the test of time
Hot Milk on perfecting the live sound, learning from the greats and crossing genre boundaries
“It has to sound as close to the 1960 as it can” Mike McCready on the painstaking process behind his new affordable signature Strat
“If I’m not making music the way I want it to be made, then what the f**k am I doing?”: The re-birth of singer-songwriter Charlotte Carpenter
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